Bryan Senti

Composer

A General Division of Content:

  • Life (process)
  • Work (results)

Rather Specific Items:

  • Biography
  • Contact

Personal Links

  • MySpace
  • LinkedIn

Respectable Links to Elsewhere

  • Found Objects Music Productions
  • Kohta Asakura, artist/director
  • Jacob Cooper, composer
  • Trevor Gureckis, composer
  • Ted Hearne, composer/conductor
  • Michael Klingbeil, composer_ Max/MSP guru
  • Robinson McClellan, composer
  • Lisa Moore, pianist
  • Lucy Teitler, writer/poet
  • Jay Wadley, composer
  • Orianna Webb, composer
  • Fritz Myers, composer and sound designer
  • The Be Company, Theatre Production in NYC

Speedy Delivery to Air on Public Television Stations!

June 12th, 2008
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  • Life (a process)

Yup, you heard correctly. More info coming soon! Oh, and here's a shot from the premier in Pittsburgh back in April.

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Working with Rufus Wainwright

June 12th, 2008
in
  • Life (a process)

I would put his image up, but I'd have to get it cleared! Indeed I will be working with Rufus Wainwright this year on his opera and Shakespearean sonnets. It's a big credit, and I owe many thankyous to Trevs Gureckis and Nico Muhly. I'll keep you posted!

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Anatomy to premier at LA Shorts Fest!

June 12th, 2008
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  • Life (a process)

It's true. It's this week. Check it out! 

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Nabbed Yale Entrepreneurial Institute Fellowship

February 28th, 2008
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  • Life (a process)
  • Press

So, as you guys know, I cofounded Found Objects Music Productions LLC with my buddies Trevs Gureckis and Jay Wadleys. Well, I've received a fellowship from YEI to further its cause.

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Rubber Bands and Bouncing Football

January 5th, 2008
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  • Works (selected results)
  • Post Minimalism

Gosh, this piece... This piece is a highly designed work that was inspired by Ligeti's first etude, Désordre. The music has lots of algorithms and what have you and attempts to play with the musical notion of foreground and background. The three components:the string pizzicati, the piano right hand ostinato, and a rondo in the left hand. Each of those elements, depending on both dynamic and rhythmic arrangement, come into aural prominance. Think: Sound kaleidoscope.

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Gone in 60 Seconds

January 3rd, 2008
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  • Works (selected results)

This is for those of you interested in what I did over at Mike Post Productions. The song aptly titled, "Gone in 60 seconds" was created as part of a series of mock main titles that Mike Post had me work on to test versatility and how I work under time constraints. The treatment for this particular theme was as follows:

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Not Not Music - Semantics

January 3rd, 2008
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  • Works (selected results)
  • Not Not Music
  • Post-modernismo

This piece was written for Lisa Moore and is a part of a collection of pieces that I hope to do under the title Not Not Music. The idea came to me from an x buddy who was an architecture student and spoke about how a few professors at Columbia were playing around with the idea of Not Not architecture.

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The explanation went as follows:

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Peddler (opening credit version)

January 3rd, 2008
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  • Works (selected results)
  • Electro-Acoustic
  • Madness

So this version of Peddler sounds more Japanese to me. In some ways I like it better than the full version of the song. What do you think?

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The 'thank yous' for the full version of Peddler apply here as well.

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Back at Yale... Speedy Delivery

January 2nd, 2008
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  • Works (selected results)
  • Film

So, it was all the things they said it was... Warm, awe inspriing, superficial, full of opportunity, full of.. well, and now I'm back ready to get shit going again. But before I left, I was able to finish music for the movie, Speedy Delivery, a feature length documentary directed by the likes of Paul Germain. The music wouldn't have been possible without the beautiful work and steadfast commitment of the one and only, Fritz Myers. Hopefully it'll be at festivals soon!

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Triste

January 2nd, 2008
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  • Works (selected results)
  • Neo Romantic

So, this is the earliest work I got. I don't think it's that bad either. But, I'll tell you that this track has been switched over from computer to computer to computer and now kind of sounds 'artifacted', if you know what I mean.

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